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Tuesday, 4/10/2001
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Features
Third act clichés let down 'Spider' movie's originality

By Jeff Cantwell
Staff Writer

"Along Came A Spider" begins with a massive special effects—laden car wreck. Fortunately, this terrible scene is the only one of its kind in the film.

What the movie does provide is a wonderful series of cat—and—mouse games between criminal profiler Alex Cross (Morgan Freeman) and brilliant kidnapper Gary Soneji (Michael Wincott).

"Spider" is technically a prequel to "Kiss the Girls." Both movies were adapted from best—selling novels by James Patterson, but the only connection between the two is the character Alex Cross.

The plot is simple enough - a senator's daughter is kidnapped and the obsessive kidnapper, who wants to make sure that someone appreciates him, tips off Cross, who Soneji believes is capable of appreciating his "crime of the century."

Cross teams up with secret service agent Jezzie Flannigan (Monica Potter) who feels the kidnapping was the result of her failure to protect the senator's daughter.

Freeman carries this film like he has many others. His calm, calculating demeanor is as clear as ever, but I cannot remember a role where he was not strong.

Monica Potter is suprisingly effective as the burdened secret service agent, but she struggles to hold her own against the presence of Freeman.

The first two—thirds of this film are excellent. They paint a perfect picture of two exemplary minds clashing over one little girl.

The film even breaks some cop—movie cliches. The FBI and the New York Police Department are investigating the same case and, for the first time, they do not work against each other. Soneji stays one step ahead of his pursuers despite their teamwork and is an excellently—developed character, right until the end.

If these things are what make this movie good, then it is the last third that prevents it from being great.

The problem is Soneji. He is a beautifully constructed character, but he is completely wasted in the last third of the film. Cross might have a few more movies up his sleeve, and Soneji would have made the perfect archvillain. Always there, lurking in the darkness, with one more trick up his sleeve. But the revelations at the end of this film ruin the chances of that.

The finale seems like it could have been good, but instead of relying on the structure of the first half of the film, it uses a clichéd plot turn to cheat its way out of a good ending. Admitting that, the ending still might have worked, but it is the abandoned potential that, in the end, deems it unsatisfying.

"Along Came A Spider" was directed by Lee Tamahori (The Edge) and he has a strong grasp on his film, except for the first scene, but I for one, will just pretend that it was not part of the movie.

Tamahori nailed the pacing of his film. He does not rush through anything, and yet it is not slow enough for boredom to kick in.

"Along Came A Spider" was almost on the top of the waterspout, but, unfortunately, the rains came and washed it right out.

 

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Purdue Exponent 2001