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Wednesday 4/11/2001
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Features

Album will please average listeners

By Quinn Kirsch
Staff Writer

Nearly all of the metal groups of our generation have one thing in common: they are pissed off.

The debut album "New Killer America," by Skrape, comes at you with the same image and attitude along with some banging metal guitar riffs that will definitely please the average metal head.

However, this album does not offer much new material to the metal scene, and this band’s career will likely be limited to nothing bigger than a spot on the OzzFest second stage.

New metal artists such as Papa Roach and Linkin Park have successfully crossed over into MTV generation with notable pop radio success; Skrape probably does not have what it takes.

The album starts with several good songs. Each song has its own sound, so listening does not get monotonous.

Some songs contain a more of a digitally enhanced quality, while others stick to straightforward power.

However, throughout each song, the band's influences are clearly evident and originality can be at a shortage.

In the first song, "What You Say," echoing vocals backed up by a second vocalist are reminiscent of "One Step Closer," by Linkin Park, along with crunchy Fear Factory guitars effects.

Lead singer, Billy Keeton’s voice resembles Richard Patrick's, of Filter, throughout the album.

The album's lyrics, for the most part, are defiant and violent, which certainly is not a new thing for rock 'n' roll, but they make the listener want to break something.

The refrain of the fifth song, "Rise," begins with the obscure phrase, "I won’t give up till the blood soaks my fingers/I recognize the difference is my fingers/Rise up in the fold." This does not make sense, but it seems to work in this song.

"Waste," the first single released for radio, features screaming vocals along with head-banging guitar riffs and keyboard effects. But when the chorus comes around, Skrape uses an effect that can be best described as a digital slide whistle. This kills the edge of the song.

The third song, "Goodbye," also contains a digital chime that, once again, sounds out of place in a metal song.

Other songs give the feel of the bouncing power chords of Static-X, which is no surprise because Ulrich Wild, who also produced Static-X’s debut album, "Wisconsin Death Trip," produces this Skrape album.

Overall, the album can be very likeable for a metal fan. However, it does not have the raw feel or catchy riffs that many debut albums contain that would sway most rockers.

 

 

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Purdue Exponent 2001