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10/12/01
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Features

Lack of originality hinders plot in 'Training Day'

Quinn Kirsch
Staff Writer

"Training Day" starts out as the cliché, bad-cop-teaches-good-cop-the-ropes movie. However, this movie becomes much more than that through Denzel Washington’s performance — before it struggles to find an ending.

Washington plays Alonzo Harris, a leather jacket and gold chain wearing dirty cop who drives a fully equipped black Monte Carlo.

The character screams "Shaft." So when he meets Jake Hoyt, played by a diminutive Ethan Hawke, you know that Hoyt will soon succumb to Harris' machismo.

The setting for the movie is that Hoyt is on his first day on the Narcotics Division of the L.A.P.D. His boss is Harris, who from the beginning sets out to intimidate Hoyt.

He takes Hoyt on a cruise in his ride and before long, the young Hoyt gets stoned and the Monte Carlo gets shot at.

During this time, we learn Harris’s philosophy that you have to be a criminal to catch a criminal.

The beauty of this is that we cannot quite figure out Harris’s motive. He seems to be a bad cop, but his record shows otherwise.

But the viewer can't decide whether or not it wants to latch onto this anti-hero because the entire story is told through Hoyt’s narrow perspective.

On top of that, Hoyt knows that if he sticks with Harris, he will be on the fast track to being promoted to detective.

Through a series of tests, Harris checks to see if Hoyt is the type of cop he needs to play a part in his game.

After this, more would give away the plot entirely.

But I use the word plot loosely. A lot of the action does not seem to make sense. In fact, the movie just drags on for about half an hour and little more is revealed except a few plot holes, which becomes frustrating.

For example, though we thought he was knocked out, Hoyt comes flying out of nowhere to land on Harris' car's hood in one scene. The car gets banged up in a series of wrecks to get Hoyt off of the car. However, minutes later, the car shows barely a scratch.

The director, Antoine Fuqua ("Bait") and writer, David Ayer ("The Fast and the Furious," "U-571") seemed to forget this.

One benefit that Fuqua brings to the table is his connections from his experience in directing music videos. This movie has its share of rapper cameos.

Snoop Dogg and Macy Gray pull off their roles as a drug dealer and a crack addict, but Dr. Dre stutters through his lines as one of Harris’s narcotics cops. On the whole though, I can never really have enough cameos by rappers.

The ending to this movie really just spoils all the work that had been done in the previous hour and a half.

If you want to watch a complete movie about the harshness of drug life, rent "Traffic." Or you can just go see "Training Day," leave early and make up your own ending.

 

 

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Purdue Exponent 2001